![]() |
![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Igor StravinskyOverview - Recordings - Scores - Books - Links
Igor Stravinsky created many remarkable works for winds in the 20s, two of them for large ensembles: the Symphonies of Wind Instruments and the Concerto for Piano and Winds. As with Messiaen, these are works that cross the orchestral and wind ensemble literature, and thus are usually recorded by orchestras. The Symphonies was popularized in the wind ensemble field with Frederick Fennell's recording with the Eastman Wind Ensemble, but this has not yet been released on CD. Therefore, most of these recordings are coupled with orchestral works rather than other wind compositions. Exceptions include the Detroit Chamber Winds and Belgian Guides Symphonic Band CDs, which include Stravinsky's Octet and shorter pieces. The Kuijpers recording of the Piano Concerto is coupled with other concertos with wind orchestra by Weill and Gulda. Boulez's ravishing new recording of the original 1920 version of the Symphonies with the Berlin Philharmonic is coupled with Stravinsky's Symphony of Psalms (with its violin- and viola-less orchestra) and Symphony in Three Movements. Other major couplings include L'histoire du soldat (Prague Chamber Harmony) and Pulcinella (Craft). De Waart's and Rattle's recordings of the Symphonies are included in 2-CD compilations of Stravinsky's symphonic works. Stephen Kovacevich's performance of the Concerto is included in a 2-CD set of solo and concerto works by diverse composers. Other wind works by Stravinsky include the comic opera Mavra, the Ebony Concerto for clarinet and jazz band, and the Circus Polka (scored by David Raksin). Many of Stravinsky's works are available in two versions, but most performers use the later revisions: Boulez's Symphonies recording is one exception. Since the Detroit Chamber Winds CD is the one choice that couples both major works for winds together, and with fine performances, it is a sensible starting point. I like these performances considerably more than Michael Ullman did in Fanfare (but am less enthused about their Octet than he is). If you love the Symphonies, you need the Boulez recording. But those are just starting points considering the incredible artists who have recorded these classics. Recordings
Scores
Books
Links
Home - Favorites - Composers - CD Big List - Reviews - Books - Links - Search - About Us Copyright © 2000-2003 Recordare LLC. All rights reserved. Last updated November 1, 2003. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||